DL Cade. In what may very well be the most exciting Magic Lantern development ever, the team has discovered a RAW DNG output in live view on the 5D Mark II and 5D Mark III. What this means is that I'm using a Canon 5D Mark II, with 50mm 1.2 and 24-105mm 4.0 lenses, using SanDisk Extreme PRO as storage (64GB, 160 MB/s). No external monitors connected This is in my ML folder > Settings > raw_rec.cfg. # Config file for module mlv_lite (MLV_LITE.MO) raw.video.enabled = 1 raw.write.speed = 7335 Yesterday I recorded some (very important) footage. The 5D Mark III and Magic Lantern for Underwater Videography Now standard with many DSLRs like the 5D Mark III, H.264 is a reasonable codec in well lit and relatively low dynamic range environments. However, it just doesn’t have the flexibility to stand up to the demands of high quality underwater filming and color correction. A professional workflow for 5D Mark III raw is now available. GoPro CineForm Raw offers 10:1 compression and can be edited directly in Adobe Premiere and Blackmagic DaVinci Resolve 9. Adobe Cinema DNG brings a Blackmagic Cinema Camera style workflow to the 5D Mark III and is ideal for grading uncompressed raw in DaVinci Resolve. Re: Magic Lantern Dynamic Range Improvement. In reply to Force75 • Jan 18, 2014. Im using tragic lantern dec 23 build without any issues with screen display, focus peqking, magnified view. Intervalo, motion detect, bracketing all works reliably. These are features typical m users will want. Ive used tragic lantern since oct without any problems.

Volker Schmidt: “All shoots we did with the Canon 5D Mark II with Magic Lantern raw hack. This 9 years old camera has so much to offer to create a real cinematic image. “I used the Canon 24-70/f2,8 and the stabilized 24-70/f4 for handheld shots.

ZxCC.
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    • magic lantern 5d mark ii features